Somehow I managed to make it all the way to November without sharing my thoughts on Spider-Man: Homecoming. Don’t ask me how. I talk about Spider-Man all the time, even when I’m just reviewing totally bizarre Spider-Man knockoff games. I thought I’d already blogged about Spidey’s newest cinematic outing, but I guess not, so here goes.
Spider-Man: Homecoming is fantastic. It’s the best big screen Spidey outing since Sam Raimi left the series, and while it doesn’t quite achieve the heights of Spider-Man 2, it does successfully rebuild this character for a new generation.
There are three key factors that make the movie work as well as it does. The first, and most important, is that the film knows its message, and it gets that message across clearly. Spider-Man: Homecoming is a story about young adulthood, and the awkward growing pains of a teenager trying to find his way in the world, while coming to understand that his actions have a real impact on others.
Following in the footsteps of past creators like Lee, Raimi, and Bendis, this movie uses Peter’s Spider-Man adventures as a superheroic representation of the more relatable coming of age story that Peter must go through. What makes this particular Spider-Man stand out is that he really is a kid: he’s only a few years past puberty, inexperienced, impulsive, scared, barely knows what he’s doing. Peter has a big heart and a genuine enthusiasm for helping people, but he has a lot to learn.
Though Uncle Ben’s “great power, great responsibility” mantra isn’t recited, this classic concept is the unspoken theme of every scene in the film. Even when you’re laughing at Peter’s jokes or swinging between buildings with him, Spider-Man: Homecoming always reminds you that actions have consequences. There are multiple occasions where Peter swoops in to save the day, totally unprepared, causing catastrophic situations to occur that risk real lives. Even when he successfully stops a supervillain, saving innocent lives, it leads to the equally real lives getting shattered, as the villain’s loved ones must then grapple with what happened. Every glory is bittersweet, every failure followed by another one, but Peter keeps going, staying true to the very themes that have always made Spider-Man’s story so universal.
Perhaps due to this focus, Homecoming nails the feeling of being a teenager in a way that prior movies didn’t quite capture. It’s often funny, but there’s a serious undercurrent of anxiety and social pressure lingering beneath the humor. Peter is at the age where he feels ready to prove himself, to be considered an adult, just like anyone his age does — but he’s still young at heart. He gets scared when he’s too high up. He doesn’t know if he’s going to survive when the Vulture drags him into the sky. He’s a hero the audience can’t help but love and relate to.
That’s why the second factor that knocks this movie out of the park is, of course, Tom Holland, the Spider-Man of a new generation. Holland portrays a young Peter Parker who feels ripped straight off the comic book page. The sequence where Holland really shines is in a scene adapted from the “Master Planner” story in the comics.
The third factor that makes the movie so terrific is Michael Keaton, the Vulture. Adrian Toomes has been a favorite villain of mine in the comics since “Funeral Arrangements,” a lesser-known Spectacular Spider-Man by J.M. DeMatteis and Sal Buscema. Vulture’s come within striking distance of the big screen on many occasions, but the wait was worth it. Keaton’s Vulture is one of the most interesting MCU villains to date.
To explain why the Vulture works so well, I’ll just quote my own answer to a question that was posted on Quora, regarding which Spider-Man movie villain was the best. To read my full answer, check out this link, but here’s the part regarding the Vulture:
Having just seen Spider-Man: Homecoming last night, I’m honestly willing to say that Michael Keaton’s portrayal of the Vulture gets a firm second place. As a villainous presence, Vulture is like a horrifying creature of the night, both unstoppable and deadly… but at the same time, the man behind the wings is revealed to be very human, very realistic, with beliefs that are understandable and relate deeply to contemporary times, even if his actions themselves are pretty horrendous and immoral. He’s a hardworking guy just trying to support his family, but he won’t flinch about killing anyone who gets in his way.
What makes both of these villains work so well is how they play off of Peter Parker himself. The key to what makes Spider-Man such a great character is that he’s the everyman, the working class superhero, the awkward regular guy who gets super powers. Both Molina’s Otto Octavius and Keaton’s Adrian Toomes also seem like regular people, with real lives and real goals they care about, both of whom just happen to fall on the wrong side of the tracks.
Homecoming doesn’t top Spider-Man 2, if only because the new film doesn’t grapple with the themes of despair, guilt, and bittersweet failure that Raimi did so beautifully. However, that’s to be expected: while Spider-Man 2 showed an older Peter who’d been wearing the webs for a few years, this new Peter is just getting his footing. He’s only fought one supervillain, and hasn’t even been tortured by the Daily Bugle yet.
So, needless to say, Holland’s Spidey certainly has some tough challenges ahead of him. But as seen in this movie, he also has a heart of gold — just like the comic book character — and it’s going to be an absolute thrill to see him return when Avengers: Infinity War rolls around.